Curriculum Vitae

 
Professional ​
info​​

I am very reliable and highly organised. I show initiative and deal with last minute changes pro-actively. I am used to work with small budgets and deliver projects accurately and on time. My attention to detail and sense of design brings creative flair to any project.Experienced in costume making, fitting and breaking down I possess strong interpersonal and communication skills. I work well independently or as part of a team and perform well under pressure.

Work​
experience​

Stephen Jones Millinery ltd., since June 2019

Assistant Milliner

www.stephenjonesmillinery.com

 

Freelance work , since October 2018

Academy Costumes, Cunard Lines, Private Commissions

Herstory, Brighton Fringe, May 2019

Milliner and Costume Maker

Director: Polly Clamorous Designer: Reny Morsch

Ball of Decadence, The Little Orchestra, September 2018

Props Maker

Designer: Baśka Wesołowska

We Know Not What We May Be, Barbican, September 2018

Costume Maker and Costume Supervisor

Director: Zoe Svendsen   Designer: L. Acevedo-Jones

 

The Lady & The Cramp

Edinburgh Festival, Tristan Bates Theatre,  July 2018

Costume Maker and Milliner

Director: The Vulvarines    Designer: Reny Morsch

The Bicycle Thief, Shortfilm, April 2018

Costume, Hair & Make up, Stand-by

Director: Kerry Skinner & Stewart Alexander   Designer: L. Acevedo-Jones

 

Twilight Zone, Almeida Theatre, December 2017

Work Experience: Wardrobe Assistant, Buyer

Director: Richard Jones SFX Prosthetics  Designer: Nicky Gillibrand

 

Nightswims, RADA Shortfilm, November 2017

Costume, Hair and Make-up Design and Supervision,

Director: James Larkin   Designer: Reny Morsch

 

Witch Hunt, RADA Shortfilm, November 2017

Costume and Make up Assistant, Dresser

Director: Edward Hicks  Designer: Nicola Stimpson

https://www.facebook.com/RoyalAcademyOfDramaticArt/videos/2064686736906136/?t=62

 

Stuff Happens, RADA, October 2017

Costume Supervisor

Director: Edward Kemp   Designer: Jane Heather

Untouchable  (RADA Festival July 2017 )

Costume Supervisor

Director: Kathryn Hunter  Designer: Steven Peters

The Lizzie Play  (RADA Festival July 2017 )

Costume Supervisor

Director: Nona Sheppard  Designer: Steven Peters

Trump's Women (RADA Festival July 2017 )

Costume Supervisor

Director: Lily Evans  Designer: Christianna Mason

Scuttlers, RADA May 2017

Wardrobe Assistant/ Millinery/ Breaking Down

Director: Hannah Eidinow   Designer: Christianna Mason

A Strange Orchestra, RADA MAY 2017

Wardrobe Assistant

Director: Annie Tyson  Designer: Baska Wesolowska

RADA Prize Fights (Armoured and unarmed fight scenes out of “Zastrozzi”, “Hook”, “Legend” and “Bloodline”, April 2017

Costume Supervisor/ Wardrobe Assistant/ Dresser

Director: Melanie Jessop  Designer: Reny Morsch

 

A Bitter Herb, RADA, March 2017

Wardrobe Assistant/Costume Maker

Director: Prasanna Puwanarajah 

The Winter’s Tale, RADA, March 2017

Wardrobe Assistant

Director: Philip Franks  Designer: Adrian Linford

 

Vinegar Tom, RADA, March 2017

Wardrobe Assistant/ Millinery/ Breaking Down

Director\: Cressida Brown  Designer: Verity Quinn

Blues for an Alabama Sky, RADA, February 2017

Wardrobe Assistant/ Airbrush Makeup

Director :Femi Elufowoju jr.  Designer: Christianna Mason

A Little Night Music, RADA, February 2017

Wardrobe Assistant/Costume Maker

Director: Edward Kemp   Designer: Jane Heather

 

Dye Workshop at The National Theatre, January 2017

Practice of different dyeing techniques (single and multiple colour, ombre) screen and block printing as well as breaking down techniques

 

You Got Older, RADA, November 2016

Wardrobe Assistant/Costume Maker/ Special Effects Makeup

Director: Bijan Sheibani  

 

Loveplay, RADA, November 2016

Wardrobe Assistant/Costume Technician

Director: Charlotte Westenra   Designer: Baska Wesolowska

 

Summerfolk, RADA, October 2016

Wardrobe Assistant?Costume Technician

Director: Deborah Paige  Designer: Charlotte Espiner

Girls and Dolls, RADA, October 2016

Wardrobe Assistant/Costume Technician

Director: Lucy Skilbeck     Designer: Janet Bird

Clybourne Park, RADA, October 2016

Wardrobe Assistant/ Costume Technician/Dresser/ Airbrush Makeup

Director: Michael Fentiman      Designer: James Turner

Resilience, Woodhouse Players, Leytonstone May 2016

Director: Anna Treadway    Designer: Reny Morsch

Costume Supervisor/Dresser/Makeup

Skills

Millinery (Felt, Straw, Sinamay, Buckram)

Corsetry

Research and sourcing for costume designs

Pattern Drafting and Cutting

Fitting

Tailoring

Hand Sewing

Machine Sewing (industrial/domestic),

Knitting

Crochet

Embroidery

Screen and Block Printing

Dressing/Quick Changes

Costume Breaking Down

Dyeing & Distressing

Design

Makeup, Airbrush/ Special Effects

Hair (dyeing, cutting and styling)

Wigs (setting and dressing)

Windows Office suite

Project Management

Script reading and interpretation

Languages

German: Native

English: Fluent, spoken and written

Italian: Very Good, spoken and written

French: Spoken and written

Swedish: Basic

Croatian: Basic

Education

Royal Academy of Dramatic Art, London, United Kingdom

Postgraduate Diploma in Theatre Costume, 2016 to 2018

 

Frankfurt School of Finance and Management, Frankfurt, Germany
Bsc in Banking and Finance (German degree: Bankfachwirtin), 1997 – 1999

 

UBS AG, Frankfurt, Germany
Apprenticeship in Economics and Banking, (German degree: Bankkauffrau) 1985-1987

 

Kaiserin-Friedrich-Schule, Bad Homburg, Germany
Highschool, (German degree: Abitur)1980 - 1985

A-levels in Latin, Biology, History and Italian

GCSE equivalents in Mathematics, German, English, French, Art, Theatre, Economics, Physics, Chemistry

Follow me

© 2017 by Reny Morsch
Proudly created with
Wix.com
 

Call

T: +44-7905761433  

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